BIOGRAPHY | SHORT

Rocío CANO VALIÑO (born in Buenos Aires, Argentina - 1991). Composer and Interior Designer. She is currently studying Electroacoustic Composition with Stéphane BORREL at the Conservatoire à Rayonnement Régional (CRR) de Lyon, France. 


Her pieces have received the Public Award of the Luigi Russolo Award 2014 (FR), the 3rd Prize of TRIMARG (ARG), a mention at 10e Concours Métamorphoses 2018 (BE), she has been awarded at Banc d’Essai 2018 (France) and she received the Exhibitronic Prix 2018 (France). She has received a commission from the Festival Bahía[in]sonora 2015 (ARG).


Her compositions have been selected and interpreted in diverse festivals around the world, such as: Festival Mixtur, Festival Multiphonies, CEMI Circles, Klingt gut!, Festival MA/IN, EVIMUS, Festival Exhibitronic, MUSLAB, FILE, Phas.e, Musinfo, SIME, Festival Zéppelin, etc.

Rocío has attended to several master classes and conferences given by Dhomont, Vaggione, Ferreyra, Vande Gorne, Kokoras, Mary, Tutschku, Teruggi, and so on. In 2018, she followed the course “La musique des sons fixés” given by Michel CHION (Paris, France), the course “Geste et Espace” (Ardèche France) given by MINJARD, DUCHENNE and GIRARDOT, the “Stage d'interprétation sur acousmonium” with FUTURA on the Motus’ acousmonium (Crest, France) and the course of composition in analogic studio given by Annette VANDE GORNE (Ohain, Belgium).

 

In 2017, the label Resterecords published her first monographic album "Tâches". Some of her works are published by Monochrome Vision, Taukay Edizioni Musicali and Phas.e Platform labels.

BIOGRAPHY | LONG

 

Rocío CANO VALIÑO was born in Ciudad de Buenos Aires, Argentina [1991]

 

Composer and Interior Designer. She is currently studying Electroacoustic Composition with Stéphane BORREL at the Conservatoire à Rayonnement Régional [CRR] de Lyon, France. In 2018, she

In 2018, she has followed a course « La musique des sons fixés : Techniques, Formes, Esthétiques » given by Michel CHION [Paris, France]; the course « Geste et Espace : Des sons dans l’air et Le son des choses » [Ardèche France] given by Jean-François MINJARD, Jean-Marc DUCHENNE and Jean-Jacques GIRARDOT; the stage of interpretation in acousmonium with FUTURA team: Jonathan PRAGER, LAMARCHE, Tomonari HIGAKI and Nathanaëlle RABOISSON on the Motus acousmonium [Crest, France]; and the course of composition in analogic studio given by Annette VANDE GORNE [Ohain, Belgium].

During 2017, Rocío CANO VALIÑO had attended to several master classes developed at the Mixtur Festival [Barcelona] with Rodrigo SIGAL, Hèctor PARRA, Wolfgang HEINIGER and Barry GUY; at the Monaco Electroacoustic Biennale in the Rencontres Internationales de Musique Electroacoustique [Monaco] with Francis DHOMONT, Horacio VAGGIONE, Annette VANDE GORNE, Robert NORMANDEAU, Hans TUTSCHKU and Flo MENEZES; to the Journées d'informatique musicale [Paris] with Anne SÈDES and Myriam DESAINTE-CATHERIN; to the Primer Festival Internacional de Música Electroacústica at CCK [Buenos Aires] with Mario Mary, Hans TUTSCHKU and Daniel Teruggi; and to the Festival l’Espace du Son 2017 [Brussels] with Beatriz FERREYRA, Robert NORMANDEAU and Panayiotis KOKORAS.

She has participated in the 1st International Congress on Science and Music Technology [Argentina, 2013], in the “Primer Encuentro de Música Contemporánea” at the Universidad Nacional de las Artes [Argentina, 2014], in the 2nd International Congress on Science and Music Technology [Argentina, 2015] and in the Colloquium about acousmatic music organized by the Destellos Foundation [Argentina, 2016].

Her work “Catarsis Sinusoidal” was selected in PAS-E 2014 [Italy], MUSLAB 2014 [Mexico], Electronic Language International Festival FILE 2016 [Brazil], Phas.e 2016 [England] and Musinfo “Journées Art & Science” 2016 [France].

Her work “El Sendero hacia lo Profundo” received The Audience Award in the Luigi Russolo Contest 2014 [France-Spain] and it was premiere in the auditorium at the Contemporary Art Museum of Barcelona [2014] and then edited in a CD by Monochrome Vision Label [Russia]. Also, it was selected for the “Primer Encuentro de Música Contemporánea” at the National University of Arts [Argentina, 2014] and in MUSLAB 2016 [Mexico].

 

During 2015 she has been commissioned an electroacoustic quadraphonic work called "Pyxis" for the Bahía[in]Sonora festival. The concert was performed at the Teatro Municipal of Bahía Blanca [Argentina, 2015]. This piece, it was selected in the 2nd International Congress on Science and Music Technology [Argentina, 2015], Zéppelin Festival 2015 [Spain], MUSLAB 2015 [Mexico], Sonosíntesis International Festival 2016 [Mexico], II Electroacoustic Music Festival of the Catholic University 2016 [Chile], SIME 2016 [France] and EVIMUS Festival 2016 [Germany].

 

Her work “Tâches” was selected in the Mixtur Festival 2017 [Spain], Klingt gut! Symposium on Sound KLG 2018 [Germany], Festival Exhibitronic 2018 [France], Festival MAtera INtermedia 2017 [Italy], Laboratorio del Espacio 2018 au Museo Nacional Centro de Arte Reina Sofía [Spain], The San Francisco Tape Music Festival 2018 [USA), FILE Hipersonica 2017 [Brazil], III Festival de Música Electroacústica de la Universidad Católica [Chile], Forum Wallis Ars Electronica 2017 [Switzerland], CEMI circles 2017 [USA) New Music Day Sonicscape 2017 [South Korea], Festival Audioblast #6 2018 [France), MUSLAB 2017 [Mexico], Compositoras en Concierto 2018 [Uruguay] and Festival Variations Numériques 2018 [France]. En 2017, this piece won the 3rd Price of Tribuna de la Música Argentina du Consejo Argentino de la Música [Argentina].

 

Her piece "Astérion" has received a Mention at the10th Biennal Acousmatic Composition Competition Métamorphoses 2018 [Belgium] and it has been awarded at the Banc d'Essai 2018 INA-GRM [Paris].

In 2017, the label Resterecords published her first monographic album "Tâches". Some of her works are published by Monochrome Vision, Taukay Edizioni Musicali and Phas.e Platform labels. 

Rocío is CEO in LINSEN Media Productions since 2013. 

© 2019 | Rocío Cano Valiño

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